Zoh Cataleya: The New African Queen is rising from Ivory Coast
Arts, Music & Entertainment Apr 27, 2026 1.1k Geo United States
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Zoh Cataleya: The New African Queen is rising from Ivory Coast

🇨🇮 🇺🇸 🇫🇷 🇩🇪 The western forests of Côte d’Ivoire emerges a voice that could redefine African music's future. Her name? Zoh Cataleya.

Born and raised in the Toura community of western Côte d’Ivoire, Zoh Cataleya is a singer-songwriter whose sound defies easy labels. Unlike the legendary Angélique Kidjo—whose pan-African funk and Afro-pop have dominated for decades—Cataleya is forging something entirely new: she calls it "Codijazz Tradimodern."

A Unique Fusion

Imagine jazz harmonies colliding with ancient Toura rhythms, wrapped in subtle electronic textures. That is Codijazz. She accompanies herself on guitar and balafon, instruments that root her music in ancestral soil while her production pulls it into the future. Her debut album ATANAN (meaning "God" in Toura) features 13 tracks sung in French, Toura, and Nouchi—a bold multilingual statement of identity.

The Training Behind the Talent

This is no bedroom artist. Cataleya studied at INSAAC Abidjan (earning her BAC H2 in 2018), completed three years at the INSAAC conservatory, and earned an audiovisual degree from ESMA. She understands music and image, giving her an edge in today's visual-driven industry.

Why She Is Different

Where Anjelique Kedjo (The Queen) took AFRO Music to  Afro-pop traditions across the continent, Zoh Cataleya is digging deeper—into one specific Ivorian tradition (Toura) and rebuilding it for a global audience. She promotes her native Toura language through the collective JARAFRO. Her December 2024 special distinction at the Tonkpi Nihidaley festival, presented by a government minister, signals that Côte d'Ivoire is betting on her.

The Next Torch Carrier

At just 25-ish years old, Cataleya possesses something rare: roots deep enough to carry ancestral memory, and wings wide enough to fly into uncharted sonic territory. The African torch is passing—and it may just land in her hands.

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